{"id":4871,"date":"2017-10-10T15:15:40","date_gmt":"2017-10-10T14:15:40","guid":{"rendered":"http:\/\/sculpture-nature_local.test\/?p=4871\/"},"modified":"2017-10-10T15:17:34","modified_gmt":"2017-10-10T14:17:34","slug":"cultural-events-october-sculpture-nature-art","status":"publish","type":"post","link":"http:\/\/sculpture-nature_local.test\/en\/cultural-events-october-sculpture-nature-art\/","title":{"rendered":"October’s picks"},"content":{"rendered":"

Colloque : L\u2019art dans l’espace rural<\/em><\/strong><\/a>
\nCentre international d\u2019Art et du Paysage (\u00cele de Vassivi\u00e8re, France)
\nOctober\u00a013th-\u00a015th, 2017
\nIn the context of the exhibition Transhumance<\/em>, the CIAP is organizing a three-day conference on the question of contemporary art creation in rural space. Here are some of the topics to be discussed during the weekend: renewing the sculpture park\u00a0model, create with the challenges faced by today\u2019s rural world and identify the specificities of art in the rural space.<\/p>\n

Rachel Whiteread
\n<\/em>Tate Britain (London, England)
\nUntil January 21st<\/sup>, 2018
\nTate Britain is honoring British artist Rachel Whiteread with an exhibition retracing her career, from her most famous sculptures dating back to 1988 to Chicken Shed<\/em>, a new monumental concrete installation located outside the museum. This is a good opportunity to discover the work of one of Britain\u2019s major contemporary sculptors, who also was the first woman to obtain the famous Turner Prize in 1993.<\/p>\n

https:\/\/www.youtube.com\/watch?v=h3BqweEOGm4<\/a><\/p>\n

Vision. Creation. Obsession<\/em><\/strong><\/a>
\nHenry Moore
\nArp Museum (Remagen, Germany)
\nUntil January 7th, 2018
\n\u201cEverything I do I intend to make on large scale.\u201d<\/em> Henry Moore
\nThe Arp Museum celebrates its ten-year anniversary with an exhibition on British artist Henry Moore. The project unfolds outside the museum \u2014 on the banks of the Rhine as well as in the park along the river \u2014 and expands to the rooms of the museum where some of his monumental sculptures will be displayed.<\/p>\n

Slave<\/em><\/strong><\/a>
\nToby Ziegler
\nNew Art Centre (Salisbury, England)
\nUntil November 26th, 2017
\nPainter and sculptor Toby Ziegler\u2019s artistic work stands between classical form and a digital manipulation of the image. With software, he works, transforms and manipulates images until they lose their original aspect and become something else. For his sculptures, he starts his research with 3D digital reproductions and then creates a maquette, most often made of cardboard, wood or aluminum. The corpus of works presented in Slave<\/em> illustrates this modus operandi<\/em> thanks to 3D printers. Born from three years of research, the pieces are openly referring to the work of Henri Matisse.<\/p>\n

Bridget Riley<\/strong><\/a>
\n<\/em>Chinati Foundation (Marfa, Texas, United States)
\nOpening October until the end of 2019
\nSince her first wall painting in the corridors of the Royal Liverpool Hospital back in 1983, Bridget Riley has kept exploring this technique on the walls of numerous museums and galleries in Europe and the United States. The mural, which almost entirely covers the Foundation, is her largest work to date. As referenced in the title, Wall Painting, Royal Liverpool Hospital 1983-2017<\/em>, this new work establishes a continuity with her first wall painting.<\/p>\n

Continua Sph\u00e8res ENSEMBLE<\/em><\/a><\/strong>
\nLe 104 (Paris, France)
\nUntil November 19th, 2017
\nOne of the main goals of Le 104 and Galleria Continua is to make contemporary art accessible to the largest audience possible. To celebrate both the ten-year anniversary of the\u00a0Moulins gallery (located near Paris) and of the annual exhibition Sph\u00e8res<\/em> \u2014 Le\u00a0104 collaborated with galleries and foundations to offer a selection of international artists and works rarely presented in France. Jos\u00e9-Manuel Gon\u00e7alv\u00e8s, director of Le 104 and exhibition curator comments: \u201cThe collaboration of participating galleries and foundations proves how a close partnership can break down wavering positions and create an alliance based on a friendship and an impetus that start with art.”<\/p>\n","protected":false},"excerpt":{"rendered":"

Colloque : L\u2019art dans l’espace rural Centre international d\u2019Art et du Paysage (\u00cele de Vassivi\u00e8re, France) October\u00a013th-\u00a015th, 2017 …<\/p>\n","protected":false},"author":6,"featured_media":4869,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[478,299],"_links":{"self":[{"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/posts\/4871"}],"collection":[{"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/comments?post=4871"}],"version-history":[{"count":2,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/posts\/4871\/revisions"}],"predecessor-version":[{"id":4873,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/posts\/4871\/revisions\/4873"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/media\/4869"}],"wp:attachment":[{"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/media?parent=4871"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/categories?post=4871"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/tags?post=4871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}