{"id":5100,"date":"2017-11-05T10:59:12","date_gmt":"2017-11-05T09:59:12","guid":{"rendered":"http:\/\/sculpture-nature_local.test\/?p=5100"},"modified":"2017-12-06T15:45:45","modified_gmt":"2017-12-06T14:45:45","slug":"novembers-picks","status":"publish","type":"post","link":"http:\/\/sculpture-nature_local.test\/en\/novembers-picks\/","title":{"rendered":"November&#8217;s picks"},"content":{"rendered":"<p class=\"p1\"><a href=\"http:\/\/www.chateauversailles.fr\/grands-formats\/voyage-d-hiver\" target=\"_blank\" rel=\"noopener\"><span class=\"s1\"><b><i>Voyage d\u2019hiver<\/i><\/b><\/span><\/a><span class=\"s2\"><br \/>\n<\/span><span class=\"s1\">Ch\u00e2teau de Versailles (France)<br \/>\n<\/span>Until January 7, 2018<br \/>\nCommission: Jean de Loisy, Rebecca Lamarche-Vadel, Yoann Gourmel et Alfred Pacquement<br \/>\nFor the tenth annual contemporary art exhibition at the Ch\u00e2teau de Versailles, the format has changed from previous editions: whereas in the past a single guest of honor was invited each year, the exhibition is now collective. The gardens of Versailles become an open sky museum. <em>Voyage d\u2019hiver<\/em> is an invitation to wander around and discover the dialogue between an 18th century landscape and our current era.<br \/>\n<em>Grenouilles en grands manteaux<\/em>, a text written by C\u00e9line Minard for the exhibition, guides visitors through alleys and thickets where are displayed sound installations, such as Dominique Petitgand\u2019s piece, monumental sculptures, such as Ugo Rondinone\u2019s intertwined branches, or smaller pieces, such as Louise Sartor\u2019s paintings, discreetly hung to the tree branches.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/bcWnJ0ixl4s?rel=0&amp;showinfo=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p class=\"p1\"><span class=\"s1\"><b><i><a href=\"https:\/\/www.prospectneworleans.org\/\" target=\"_blank\" rel=\"noopener\">Prospect 4: The Lotus in spite of the Swamp<br \/>\n<\/a><\/i><\/b><\/span>New Orleans (USA)<br \/>\nFrom November 18, 2017 to February 25, 2018<br \/>\n<em>Prospect 4<\/em>, the fourth edition of the New Orleans Art Triennial, presents a selection of local, national and international artists displayed in a diversity of venues: cultural institutions, public spaces and venues that do not have an \u201cartistic\u201d vocation strictly speaking. The city and its reconstruction still remain hot topics since the launch of <em>Prospect<\/em>, an event that was created by exhibition curator Dan Cameron after hurricane Katrina in 2005.<\/p>\n<p class=\"p1\"><a href=\"https:\/\/chateau-la-coste.com\/giuseppe-penone-des-corps-de-pierre\/\" target=\"_blank\" rel=\"noopener\"><span class=\"s1\"><b><i>Des Corps de Pierre<\/i><\/b><\/span><\/a><span class=\"s2\"><br \/>\n<\/span><span class=\"s1\"><b>Giuseppe Penone<\/b><\/span><span class=\"s2\"><br \/>\n<\/span><span class=\"s1\">Ch\u00e2teau La Coste (France)<br \/>\n<\/span>Until November 26, 2017<br \/>\nFor this exhibition, the artist from Piedmont selected a dozen artworks, some of which are being presented for the first time. Penone chose to play with the space and the architecture of the gallery designed by Renzo Piano, from the extremely meticulous reproduction of a single grain of sand or the presentation of a selection of drawings inside the galleries, to bronze trees and monumental marble blocks installed outside.<\/p>\n<p class=\"p1\"><a href=\"http:\/\/nomadicdivision.org\/exhibition\/jose-davila\/\" target=\"_blank\" rel=\"noopener\"><span class=\"s1\"><b>Jose <\/b><\/span><span class=\"s3\"><b>D\u00e1vila<\/b><\/span><span class=\"s1\"><b>:<i> Sense of Place<br \/>\n<\/i><\/b><\/span><\/a>LAND Los Angeles Nomadic Division (USA)<br \/>\nUntil May 27, 2018<br \/>\nLAND \u2013 a non-profit organization based in Los Angeles and focused mainly on public art \u2013 has commissioned Mexican artist Jose D\u00e1vila for a monumental \u201cmigrant\u201d sculpture composed of forty concrete blocks that will be disassembled and then migrate throughout the city.<br \/>\nFour major \u201cmovements\u201d are scheduled for November 2017, January, March, and May 2018, when the sculpture will finally be reassembled into its initial form. During this journey, several blocks will be placed in strategic sites throughout the city (malls, busy intersections, parks\u2026) where passersby can use them at their leisure as urban furniture.<\/p>\n<p class=\"p1\"><a href=\"http:\/\/www.zadkine.paris.fr\/fr\/lexposition-etre-pierre-vous-ouvre-ses-portes-29-septembre-2017\/11-fevrier-2018\" target=\"_blank\" rel=\"noopener\"><span class=\"s1\"><b><i>\u00catre pierre<\/i><\/b><\/span><span class=\"s2\"><br \/>\n<\/span><\/a><span class=\"s1\">Mus\u00e9e Zadkine (Paris)<br \/>\n<\/span>Until Februray 11th, 2018<br \/>\nFor the 50<sup>th<\/sup> anniversary of Zadkine\u2019s death (1890-1967), the museum wants to honor the Russian sculptor and bring a new reading of his work on rock. The exhibition <em>\u00catre pierre <\/em>gathers several generations of artists from Picasso or Brancusi to contemporaries such as Jimmie Durham or Katinka Bock, using diverse media: sketching, video, painting, photography. Through about a hundred works, the exhibition offers a reflection on the mineral articulated around three sections: \u00ab\u00a0The origins\u00a0\u00bb of Earth, humankind and art; \u201cmetamorphism and metamorphosis\u201d on matter and its properties, and \u201cMineral intimacy\u201d focused on the relationship between the artist and matter.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/WVQe3X2ouQk?rel=0&amp;showinfo=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Voyage d\u2019hiver Ch\u00e2teau de Versailles (France) Until January 7, 2018 Commission: Jean de Loisy, Rebecca Lamarche-Vadel, Yoann Gourmel &#8230;<\/p>\n","protected":false},"author":6,"featured_media":5047,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[674,646,286,299,300,681,676,638,680,675,682],"_links":{"self":[{"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/posts\/5100"}],"collection":[{"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/comments?post=5100"}],"version-history":[{"count":2,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/posts\/5100\/revisions"}],"predecessor-version":[{"id":5109,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/posts\/5100\/revisions\/5109"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/media\/5047"}],"wp:attachment":[{"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/media?parent=5100"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/categories?post=5100"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/tags?post=5100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}