Antony Gormley<\/a> In September 2019, the Royal Academy of Arts<\/a> will present a solo exhibition of the internationally acclaimed British sculptor Antony Gormley (b. 1950), the most significant in the UK for over a decade. The exhibition will bring together both existing and especially conceived new works for the occasion, from drawings and sculptures to experiential environments, that will take on the RA\u2019s Main Galleries across all 13 rooms. Antony Gormley. Essere<\/em><\/strong><\/a> On schedule from the 26th of February to the 26th of May 2019 in the Aula Magliabechiana of the Uffizi<\/a>, this exhibition brings together works of different materials and scales that explore the body in space and the body as space. There will be 12 works on show in the new gallery on the ground floor, where natural light will play into 12 distinct vaulted spaces defined by six stone columns and no internal walls. Two further works will be placed inside the Gallery and another one on the terrace. Antony Gormley: STAND<\/strong><\/em><\/a> Perched high on the museum\u2019s<\/a> Rocky steps, ten cast-iron \u201cblockwork\u201d sculptures by British artist Antony Gormley bring art outside, releasing it into the city\u2019s shared space. In these metal bodies, each over ten feet tall, Gormley has replaced anatomy with the language of architecture, using cantilevers, propping, and pier-and-lintel construction, the interplay of masses creating the balance of form and feeling. These are sculptures, not statues\u2014less heroic or idealized, more material and real.\u00a0STAND<\/em> offers an opportunity to reflect on our status as urban animals, our common ground with the artworks, and how context influences our thinking. * Antony Gormley Royal Academy of Arts, Main Galleries (London, United Kingdom) 21 September \u2013 3 December 2019 In …<\/p>\n","protected":false},"author":6,"featured_media":9173,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[960,959,299,961,287,695,175,946,40,958],"_links":{"self":[{"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/posts\/9134"}],"collection":[{"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/comments?post=9134"}],"version-history":[{"count":8,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/posts\/9134\/revisions"}],"predecessor-version":[{"id":9941,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/posts\/9134\/revisions\/9941"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/media\/9173"}],"wp:attachment":[{"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/media?parent=9134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/categories?post=9134"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/sculpture-nature_local.test\/en\/wp-json\/wp\/v2\/tags?post=9134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/strong><\/em>Royal Academy of Arts, Main Galleries (London, United Kingdom)
\n21 September \u2013 3 December 2019<\/p>\n
\nGormley sees the exhibition as a \u2018test site\u2019; engaging the senses, employing scale, darkness and light, and using elemental, organic and industrial materials. The works will interact with the BeauxArts galleries, creating a series of distinct encounters that will come together as a collective experience. It will be a summation of Gormley\u2019s enduring concern with the inner dark space of the body itself and the body\u2019s relation to its surroundings: the body as space and the body in space. Gormley said, \u201cthere is no subject until the viewer arrives and begins to engage.\u201d *
\n*Source royalacademy.org.uk<\/a><\/sup><\/p>\n
\nGallerie degli Uffizi, Aula Magliabechiana (Florence, Italy)
\n26 February – 26 May 2019<\/p>\n
\nAt the core of the exhibit, there is a dialogue between two sculptures,\u00a0Passage<\/em>\u00a0and\u00a0Room<\/em>, realized 35 years apart and both dealing with the space of the body.\u00a0Passage<\/em>\u00a0(2016) is a 12 metre-long Cor-Ten steel tunnel in human shape allowing viewers to enter inside of it, while\u00a0Room<\/em> (1980), which is a set of the artist\u2019s clothes cut into a continuous 8 millimetre-wide ribbon creating an enclosure of 6 square metres, keeps them out. The show is predicated on these two works and the contrast between stasis and movement, imaginative and actual space.*
\n*Source uffizi.it<\/a><\/sup><\/p>\n
\nPhiladelphia Museum of Art (United States)
\nThrough June 16, 2019<\/p>\n
\n* Source philamuseum.org<\/a><\/sup><\/p>\n","protected":false},"excerpt":{"rendered":"