Eric Mezan

Before founding Art Process in 2000, a creation agency specialized in contemporary art “expeditions” around the world, Eric Mézan was a fire captain in Paris and a Change Management consultant for IBM. For six years, he traveled across five continents, exploring new trends in art capitals and, while participating to VIP programs for international art fairs and biennials, noticed a growing public interest for contemporary art.

In 2005, as a consultant specialized in Art and Brands, the Fiac (the French International Contemporary Art Fair) entrusted him with the “First International Conference about Art & Business” in collaboration with the Mission Mécénat of the French Department of Cultural Affairs. Within a few years, he became a reference consultant for brand managers, corporate patrons and art collection business managers inspired by innovative artistic practices and striving to put creation at the very core of their strategy.

In 2012, he met Dominique Haim, a Franco-American collector and owner of a private sculpture garden. They immediately shared their passion for “art and nature” and for visionary sculpture parks and gardens created by collectors and artists. Eric submitted to her a daring project for the creation of an online magazine and community around this topic. Dominique Haim accepted and thus was born the project Sculpture Nature.

Latest Articles

Destinations 26/11/2015

An interactive map to discover Andy Goldsworthy’s Refuge d’Art around Digne-les-Bains

British artist Andy Goldsworthy has been working since 1995 on Refuge d’Art, a magnificent project that has been ...

More News 03/11/2015

Dan Graham, guest of honor in France

Currently, American artist Dan Graham is undeniably the most prominent foreign artist in France. No less than three ...

More News 19/10/2015

A preview of FIAC 2015 Hors les Murs

Following the footsteps of the Unlimited program of the Art Basel fair in Switzerland, the FIAC has stretched ...

More Destinations 16/04/2015

The Return of the Great Patrons of the Arts

They are wealthy and enterprising. But that’s not enough. Today, they want to become art collectors and patrons ...

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